Licensing
What the UMG and Spotify fan remixes deal actually means
A first-of-its-kind agreement covering recorded and publishing rights for AI-generated covers and remixes, and what it leaves out.
Read →The remix exchange. Artists and labels open their stems and earn real money, in cash or credits, every time they're bought for a remix: a new revenue stream for your back catalogue. Producers buy the stems they want and build their version in their own DAW. Remix, and be remixed.
From back catalogue to shareable remix, with earnings flowing back to the people who made the music.
Artists and labels list tracks and choose what's for sale (4 separated stems, full instrument stems, or the whole project) and set the price.
Producers buy the stems they want, in cash or credits, download them, and remix in their own DAW: Ableton, Logic, FL Studio, anything.
Publish your remix in the app and the original artist is notified. They can even license it. Every sale pays the people who made the music, withdrawable as real money.
Add the Remix.me widget to your own website or app and sell your stems and remix packages straight to your audience. Your catalogue is still listed on the exchange too, so there are two ways to sell the same tracks, with one simple rule on who gets paid.
Through the widget on your own site or app, buyers pay straight into your own payment system. Remix.me takes no commission on a single one. You keep all of it.
When Remix.me sends a buyer to your catalogue on the exchange, we take a commission on that sale. No demand from us, no cut. You only ever pay for the buyers we bring you.
Tell us what you bring and what you're after, and we'll match you with the right catalogue, contests, and remix partners.
Coming to iOS first, then iPadOS and Android. Discover stem packs, keep your want-to-remix list, get notified the moment a track you want opens up, and publish what you make. You remix in your own DAW. The app is your companion, not the studio.
Notes on remix licensing, formats, and the industry around what we are building.
A first-of-its-kind agreement covering recorded and publishing rights for AI-generated covers and remixes, and what it leaves out.
Read →A 2008 French startup tried to make every song interactively remixable. They got a Jackson 5 deal. They lasted five years. Why it matters in 2026.
Read →A 2015 file format with a clever, open design tried to make stems a standard product. It earned real but limited traction, the stores that sold it mostly moved on, and on-device AI is finishing the job.
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